Keeping it simple
I see the advice ‘keep it simple’ a lot, and it’s good advice, mostly.
It’s also often misinterpreted, or misused, when it relates to writing.
Some people say it means using only small words, to be more easily understood. Others recommend small sentences, to avoid losing the reader in rambling prose. Others still, insist that it means to write without embellishment or much description, like Hemingway.
In all honesty, all of the above might work, or it might not. It’s more simple than that. When we say, ‘keep it simple’, all we mean is ‘make it easily understood’.
There’s nothing worse than being pulled out of a story by a writer’s failure to communicate clearly. Re-reading a sentence or paragraph, trying to work out what’s going on, is one of the number one reasons I will put a story down and probably not pick it up again.
It’s not always about vocabulary. You can expect the average reader to know what most commonly used words mean, and if they come across a less commonly used word, you can expect them to look up the meaning. It’s how I expanded my vocabulary, at least. Of course, using a lot of big, or unusual words, where the reader has to resort to the dictionary too many times, might become an annoyance. My advice would always be to use the right word for the job. That word could be ‘noise’ or it could be ‘cacophony’, depending on what you’re trying to convey.
It’s not always about sentence length, either. In fact, varying sentence length is a good idea – it stops the prose from becoming monotonous. Don’t believe me?
This paragraph is made up of sentences of ten words. Not nine words, or eleven words, but exactly ten words. Count them if you don’t think I’m telling the truth. Tell me, have you noticed anything about the sentences yet. They’re all starting to become a little boring, aren’t they?
If we use sentences of a uniform length in an effort to keep them short, they start to sound the same and it’s harder to keep our attention focused. If we vary the length, it’s less noticeable. We can keep focus for longer. We follow the story instead of noticing the writing.
Sentence length can also be used as a narrative tool. If you want a relaxed, calm atmosphere, you can use longer sentences to convey a sense of tranquility, or of lingering in a moment. Your characters aren’t in a hurry if they’re stopping to admire the scenery and noticing small things like initials carved into a tree, or the way the tips of a willow’s branches brush the surface of the pond, like a caress. If your character is in danger, or angry, then short, terse sentences are key. They carry the action. They set the tone. Fragments work too. Especially. Just. One. Word.
Keeping it simple is not about using less description, either. How much description to use depends a great deal on the story itself and the mood you want to set. If you want to create a picture of a stark room, you’ll use language that conveys that picture. White, unadorned walls. A couple of bare wooden chairs. A cold tiled floor. No curtains, bare bulb, etc. If you want to create a picture of opulence, you’d probably go into more detail and talk about how the rich fabric of the curtains hung, or the sparkling chandeliers, polished marble, lavish upholstery.
Perhaps we mean the plot? Well, yes and no. Some plots are quite linear, some twist and turn all over the place. Both are enjoyable and both have their good and bad points. What all kinds of plots have to do, however, is make sense. Don’t show the character having a fear of deep water in act one and then have them swim across a river in act two, unless there’s a good reason for doing so (like their arch nemesis has chased them to a river bank and they have nowhere else to go).
So, how do we ‘keep it simple’?
We use the right tools for the job. The right words to paint the picture you want the reader to see. The right amount of description to set the scene, the right sentence length to set the pace. Make it understandable. Read the sentence aloud – if you trip over it, your reader is going to trip over it. Make sure the punctuation is correct. Make sure the word you use conveys the exact meaning you want to give. Make sure that you, the writer, don’t get in the way of the story you’re trying to tell.
I can imagine that you’re reading this and thinking ‘this isn’t simple!’ and you’re right, it’s not. But that’s the trick. We, the writers, do all the hard work so that all the reader has to do is read.